剧情纵览
水晶斯特里克兰相信她有理想的存在:一个充满激情的配偶和优雅的环境。但是,所有的失败来了她的丈夫突然时候努力杀了她。困惑和恐惧,晶发现自己的渴望和兴趣亲密,这里的危险是指日可待和性别的热情和激情杀害的全球淹没。 英文名:Passion Before Midnight (2003)
水晶斯特里克兰相信她有理想的存在:一个充满激情的配偶和优雅的环境。但是,所有的失败来了她的丈夫突然时候努力杀了她。困惑和恐惧,晶发现自己的渴望和兴趣亲密,这里的危险是指日可待和性别的热情和激情杀害的全球淹没。 英文名:Passion Before Midnight (2003)
故事发生在未来世界,阿龙(黎明 饰)和阿强(张学友 饰)都是抓捕妖兽的特警队警员,但是上司(袁和平 饰)非常器重阿龙,而对阿强就戒心重重。阿强气不过在酒吧买醉,得到了女友(李若彤 饰)的支持宽慰。然而,他心头总是笼罩着阴影——原来阿强的母亲也是妖兽,后来他把这个隐秘告诉了阿龙。阿龙也坦白了自己跟妖兽幻姬(李嘉欣 饰)的一段感情…… 此后,阿龙在一次抓捕元大宗(仲代达矢 饰)的行动中,重逢了现已成为元妻的幻姬,情急之下却要引出重重误会。其实,元大宗是要跟人类合作的妖兽,但是另有一股液态妖兽正在肆虐地侵袭这个城市。在对抗液态妖兽的过程中,阿龙与幻姬的感情经历了生死的考验,但是元大宗的儿子鬼众道(张耀扬 饰)却设计离间意图消灭人类,与此同时阿强也发现了特警队的叛徒……
仙人长琴犯错被罚下天界,命魂被铸成凶剑焚寂,心魄托生成人为欧阳少恭。焚寂被注入韩云溪体内。少恭误入歧途危害百姓,云溪维护天下与少恭同归于尽,云溪恋人风晴雪带着他的魂魄踏上了寻找复活之法的漫漫长路……
許久不見的克里斯提安(43歲)與吉奧(45歲),終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起,在守靈夜酒酣耳熱之際,臨時起意決定去實現小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中,兩人經歷了許多意想不到的遭遇,也重新認識了彼此,甚至改變了他們往後的人生。
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster